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Arpita Shah

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Open a larger version of the following image in a popup: Arpita Shah, Untitled (from the series "Nalini"), 2015

Arpita Shah

Untitled (from the series "Nalini"), 2015
Framed Archival pigment inkjet print
71.1 x 88.9 cms
28 x 35 ins
Series: Nalini
271835

Provenance

Arpita Shah

Exhibitions

9 February–7 April 2019: Nalini, Street Level Photoworks, Glasgow.
12 October–16 November 2019: Nalini, An Lanntair, Stornoway, Isle of Lewis, part of Purvai.
17 January–17 March 2020: Nalini, Impressions Gallery, Bradford.
6 October 2020–11 April 2021: Towner International, Towner Eastbourne (group exhibition).
12 April–July 2024: Nalini, Duff House, Banff; Street Level Photoworks with Historic Environment Scotland. Closing date differs between sources (14 or 21 July); exact date unconfirmed.
13 June–4 October 2026: Nalini, Firstsite, Colchester.

Publications

 

Literature

Rhombie Sandoval ‘Interview with Arpita Shah’ Anywhere BLVD, 2019 (online).

‘Arpita Shah Journeys Through the History of the Women in Her Family’, FotoRoom, [2020] (online).

Arpita Shah, with text by Frank McElhinney, ‘Nalini’, PIX, vol. 18, Passages: a Subcontinental Imaginary, pp. 38–47, ill. pp. 42–43,.February 2022.

Spanning India, East Africa and the UK, Nalini explores the connected histories of Arpita Shah, her mother and her grandmother. Bringing contemporary portraits and still lifes together with family photographs...
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Spanning India, East Africa and the UK, Nalini explores the connected histories of Arpita Shah, her mother and her grandmother. Bringing contemporary portraits and still lifes together with family photographs and heirloom objects, the series traces the effects of migration, distance and loss across generations. Shah’s search through family archives and visits to places connected with her maternal ancestors led to new discoveries about their lives and relationships. The title is her grandmother’s name and the Sanskrit word for lotus. Flowers recur as offerings to the women in her family: the lotus symbolises femininity, fertility and rebirth, while bougainvillea connects memories of India and East Africa. Photographs of bodies, possessions and places bring these family histories together.


This work shows the back of a head with loose grey hair falling over light-coloured clothing. The face is withheld from view, and the strands of hair become the principal subject.
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