Arpita Shah
28 x 35 ins each
Further images
Provenance
Arpita ShahExhibitions
9 February–7 April 2019: Nalini, Street Level
Photoworks, Glasgow.
12 October–16 November 2019: Nalini, An Lanntair, Stornoway, Isle of
Lewis, part of Purvai.
17 January–17 March 2020: Nalini, Impressions Gallery, Bradford.
6 October 2020–11 April 2021: Towner International, Towner Eastbourne (group
exhibition).
12 April–July 2024: Nalini, Duff House, Banff; Street Level Photoworks
with Historic Environment Scotland. Closing date differs between sources (14 or
21 July); exact date unconfirmed.
13 June–4 October 2026: Nalini, Firstsite, Colchester.
Publications
Illustrated: Nalini: Captions and additional words from Arpita Shah, Impressions Gallery, 2020, p. 15. Image components reproduced in Arpita Shah, Nalini, Art Journal 84, no. 1 (Spring 2025), pp. 7–21, and Art Journal Open. Exact print edition not specified. Image components reproduced in Arpita Shah / Frank McElhinney, Nalini, PIX: Passages. Publication dated 2021 in artist CV; online issue files dated 2022.Literature
2018: Emilia Terracciano, 'Nalini (ongoing)', 1000 Words,
online essay.
2018: Emilia Terracciano, 'Arpita Shah: Nalini', 1000 Words: 10 Year
Anniversary Print Edition, p. 156.
2019: Emilia Terracciano, 'Nalini: Memory of Things', Street Level
Photoworks exhibition minigraph.
2019: 'Nalini portfolio', NOTES, issue 5. 26 February
2019: Frank McElhinney, 'Exhibition Review: Arpita Shah, Nalini, Street Level
Photoworks', Writing on Scottish Photography.
2019: John McDougall, 'Arpita Shah: Nalini', Photomonitor.
2020: Arpita Shah, 'Nalini: Captions and additional words from Arpita Shah', Impressions
Gallery exhibition guide, 24 pp.
Winter 2021; online 8 March 2021: Clare Samuel (cur.), 'She & Her &
Me', BlackFlash, issue 37.3.
2021; online issue files dated 2022: Arpita Shah, with text by Frank
McElhinney, 'Nalini', PIX: Passages: a subcontinental imaginary.
15 September 2022: 'On migration, memory, and loss: artist Arpita Shah
documents her family history', Harper’s Bazaar India, online.
Spring 2025; online May 2025: Arpita Shah, 'Nalini', Art Journal, vol.
84, no. 1, pp. 7–21; Art Journal Open, 15 May 2025.
March 2023: Lodoe Laura, 'Arpita Shah’s Nalini', Feminist Photography
Network.
Arpita Shah explains that "The lotus is a sacred flower in Hinduism, it’s been carved in Hindu temples for centuries, used in religious events, Hindu goddesses are often depicted seated on one and it’s a national symbol that is embedded in everyday life and culture in India. The lotus represents femininity, fertility and rebirth, I often reference it in my work and use its symbolism to evoke the female experiences of uprooted-ness, longing and displacement.
The lotus bud looks so distant from its origin of mud and water, floating above it as if detached but there is this strong umbilical-cord-like stem that anchors it down to its roots. From early ancient Indian texts, such as Rg-Veda, the lotus has always been associated with the womb.
There are numerous Indian paintings and scriptures of Lord Vishnu depicted sleeping in the ocean, with a lotus flower sprouting out of his navel – in Hinduism this story represents the birth of Brahma, the creator of the universe. I had this image in my mind when creating this triptych which features my mother (on the right), grandmother (on the left) and sprouting lotus in the centre image." In his WOSP review, Frank McElhinney interprets the emerging lotus as Shah’s symbolic self-portrait, extending the family grouping across three generations.