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Heather Agyepong, Too Many Blackamoors (1), 2015
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Heather Agyepong, Too Many Blackamoors (2), 2015
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Heather Agyepong, Too Many Blackamoors (3), 2015
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Heather Agyepong, Too Many Blackamoors (4), 2015
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Heather Agyepong, Too Many Blackamoors (5), 2015
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Heather Agyepong, Too Many Blackamoors (6), 2015
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Heather Agyepong, Too Many Blackamoors (7), 2015
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Heather Agyepong, Too Many Blackamoors (8), 2015
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Heather Agyepong, Too Many Blackamoors (9), 2015
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Eliza Hatch, Leyla, 2017
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Eliza Hatch, Florence, 2017
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Eliza Hatch, Elizabeth, 2017
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Eliza Hatch, Elaine, 2017
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Eliza Hatch, Dorina, 2017
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Eliza Hatch, Clara, 2017
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Alexis Hunter, A Young Polynesian Considers Cultural Imperialism Before She Goes to the Disco, 1981
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Jo Spence, Photo therapy: Cultural Capital?, 1988
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Jo Spence, Photo therapy: Anger Work from Triple Somersaults, 1988
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Jo Spence, Photo therapy: Not Our Class (from a session on class), 1989
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Jo Spence, Photo therapy: Service (1), 1989
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Jo Spence, Respect (ability) from a session on Powerlessness, 1987
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Jo Spence, The Right to Work, 1979
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Jo Spence, The Highest Product of Capitalism (After John Heartfield), 1979
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Bindi Vora, Close The Museum. Open The Museum. Close The Museum. Open The Museum...., 2021
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Bindi Vora, Cultivate That Cautious Optimism That The World Can Change, 2021
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Bindi Vora, Flagrant Rule Flouter, 2021
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Bindi Vora, In The Age of Information, Ignorance Is A Choice, 2021
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Bindi Vora, Skin Colour Is Not Reasonable Suspicion, 2021
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Bindi Vora, This is Not About Politics. This is About Humanity, 2021
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Bindi Vora, Try Again. Fail Again. Fail Better, 2021
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Bindi Vora, You Eat Sausages Your Whole Life But You Refuse A Vaccine Because You Don't Know, 2021
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Bindi Vora, You've Fucked With The Wrong Generation, 2021
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Bindi Vora, Zero New Cases, 2021
A Different Mirror. Women Photographs from the Hyman Collection: Photo Oxford Festival
Past exhibition