- too-many-blackamoors-7-2015-heather-agyepong.-courtesy-of-the-artist-autograph-abp-.jpg
- too-many-blackamoors-6-2015-heather-agyepong.-courtesy-of-the-artist-autograph-abp-.jpg
- Too Many Blackamoors 5 2015 Heather Agyepong Courtesy Of The Artist Autograph Abp
- Too Many Blackamoors 8 2015 Heather Agyepong Courtesy Of The Artist Autograph Abp
- Too Many Blackamoors 3 2015 Heather Agyepong Courtesy Of The Artist Autograph Abp
- Too Many Blackamoors 4 2015 Heather Agyepong Courtesy Of The Artist Autograph Abp
- Too Many Blackamoors 9 2015 Heather Agyepong Courtesy Of The Artist Autograph Abp
- Too Many Blackamoors 2 2015 Heather Agyepong Courtesy Of The Artist Autograph Abp
- Too Many Blackamoors 7 2015 Heather Agyepong Courtesy Of The Artist Autograph Abp
- Y Blackamoors 6 2015 Heather Agyepong Sm Courtesy Of The Artist Autograph Abp
- Too Many Blackamoors 1 2015 Heather Agyepong Courtesy Of The Artist Autograph Abp
- too-many-blackamoors-2-2015-heather-agyepong.-courtesy-of-the-artist-autograph-abp-.jpg
- too-many-blackamoors-4-2015-heather-agyepong.-courtesy-of-the-artist-autograph-abp-.jpg
The Hyman Collection is delighted to have acquired Heather Agyepong's complete series Too Many Blackamoors. The work was inspired by a 19th century Carte-de-visite of Lady Sarah Forbes Bonetta. Sarah was the West African adopted goddaughter of Queen Victoria who came to live in England at a young age. The images are based on my own personal experiences as a young black woman, dealing with the macro and micro traumas of racism encountered while travelling around European countries. The format was based around Rosy Martin and Jo Spence's 'Re-enactment Phototherapy'. Too Many Blackamoors aims to challenge the 'strong, independent, black female' narrative that can burden and often entrap black women. With Sarah as my template, the project attempts to illustrate the effects of such perceptual limitations whilst exploring my own internal conflicts of falling short from such mainstream ideals.
March 1, 2018