Open a larger version of the following image in a popup:
Helen Sear, Winter Stack, 2015

Open a larger version of the following image in a popup:
Helen Sear, Winter Stack, Pennings Foundation, Eindhoven, Holland, 2019

Open a larger version of the following image in a popup:
Helen Sear, Winter Stack, Centre for British Photography, London, 2023

Helen Sear
Winter Stack, 2018
Inkjet print on Birch plywood. UV Varnish
100 x 200 x 8 cms
39 3/8 x 78 3/4 x 3 1/8 ins
39 3/8 x 78 3/4 x 3 1/8 ins
13649
Further images
Winter Stack is a from a series of composite works that respond to the natural environment and our relationship to it. A 'landscape, it is constructed from a hundred images...
Winter Stack is a from a series of composite works that respond to the natural environment and our relationship to it. A "landscape, it is constructed from a hundred images stitched together images.
Sear questions whether it is possible to have a view of nature without incorporating the human presence. She emphasises that what she records is not something that is separate or distant from her. Instead she is a part of nature and the experience is immersive. One way she does this is by disrupting a fixed-point perspective in many of her large composite works. The viewer follows her as she moves around, looks up and down, travels from the front to the back. In denying a fixed-point perspective and stitching her images together, she creates multi-layered landscapes. Ultimately, what Sear achieves in her composites is an active, rather than a static viewing.