Anna Fox
Work Stations, Heathrow Aiport. Journalist, prior to the arrival of Madonna (23), 1988
Matt light jet print archival
54.61 x 60.96 cms
21 1/2 x 24 ins
Series: 01. Work Stations (1987-88)
6416
Provenance
Acquired directly from the artistExhibitions
Observadores: Fotógrafos Da Cena Britdesde 1930 até Hoje, Galeria de Arte do Sesi, Sao Paulo Brazil September 2012, (Another print)'The 80s: Photographing Britain' at Tate Britain: 21 November 2024 - 5 May 2025
From the edition of 5 Captioned with the following artist's text: 'If we don't foul up no-one can touch us'. Computer Weekly 1987 Anna Fox first gained attention for Work...
From the edition of 5
Captioned with the following artist's text:
'If we don't foul up no-one can touch us'. Computer Weekly 1987
Anna Fox first gained attention for Work Stations: Office Life in London (1988), a study of office culture in Thatcher's Britain, originally commissioned by Camerawork and The Museum of London. Her projects have led her to the back alleys and underworlds of Britain, capturing tacit traditions and the 'behind-the-scenes' of those we think we know and has led her to become one of the most acclaimed British photographers of the last twenty-five years.
Captioned with the following artist's text:
'If we don't foul up no-one can touch us'. Computer Weekly 1987
Anna Fox first gained attention for Work Stations: Office Life in London (1988), a study of office culture in Thatcher's Britain, originally commissioned by Camerawork and The Museum of London. Her projects have led her to the back alleys and underworlds of Britain, capturing tacit traditions and the 'behind-the-scenes' of those we think we know and has led her to become one of the most acclaimed British photographers of the last twenty-five years.