From the edition of 5 Captioned with the following artist's text: 'There is nothing wrong with avarice as a motive, as long as it dosen't lead to dishonest or antisocial...
'There is nothing wrong with avarice as a motive, as long as it dosen't lead to dishonest or antisocial conduct'. Business 1986
Anna Fox first gained attention for Work Stations: Office Life in London (1988), a study of office culture in Thatcher's Britain, originally commissioned by Camerawork and The Museum of London. Her projects have led her to the back alleys and underworlds of Britain, capturing tacit traditions and the 'behind-the-scenes' of those we think we know and has led her to become one of the most acclaimed British photographers of the last twenty-five years.