Edmund Clark is an artist interested in linking history, politics and representation. His research based work combines a range of references and forms including bookmaking, installations, photography, video, documents, text and found images and material; whatever is conceptually and formally relevant to investigating the subject and communicating with an audience. Recurring themes include developing strategies for reconfiguring how subjects are seen and engaging with state censorship to explore unseen experiences, spaces and processes of control and incarceration in the ‘Global War on Terror’ and elsewhere.