Paul Hill
Legs over High Tor, Matlock, 1975
Vintage Gelatin Silver Print
25.4 x 20.32 cms
10 x 8 ins
Series: 1. Prenotations (1974-78)
10518
Provenance
Acquired directly from the photographerExhibitions
Paul Hill. Reflexions, Canon Photo Gallery, Amsterdam, 1978Creating the Countryside: 1600-2017, Compton Verney Art Gallery and Park, 2017 (This print)
Modern Nature. Photographs from the Hyman Collection, Hepworth Wakefield, 2018-19. (This print)
Creating the Countryside: 1600-2017, Compton Verney Art Gallery and Park, 18 March - 18 June 2017
Literature
The British Journal of Photography, 25 October 1975 (illustrated, full page, on the front cover)magazine, August 1976, (illustrated full page p.31)'Paul Hill', Fotografia Italiana, October 1976 (illustrated p.25)
Els Sincebaugh, "Paul Hill and the New British Photography", Camera 35, November 1977 (illustrated p. 31)
Paul Hill. Reflexions, Canon Photo Gallery, Amsterdam, 1978 (illustrated p.2)
Paul Hill, "Photographic Truth, Metaphor and Individual Expression", in Three Perspectives on Photography, Arts Council of Great Britain, 1979 (illustrated p.15)
Paul Hill (forward by Aaron Scharf), Approaching Photography, Focal Press, 1982 (Illustrated p.98)
'Paul Hill', Photography Annual 1984, 1984 (illustrated full page p.103)
Ed. Verity Elson & Rosemary Shirley, Creating the Countryside: The Rural Idyll Past and Present, Paul Holberton Publishing, 2017, p.108
Another vintage print of this work is held by the Government Art Collection, which acquired it from the Photographers' Gallery in February 1977. There is also a print in the...
Another vintage print of this work is held by the Government Art Collection, which acquired it from the Photographers' Gallery in February 1977. There is also a print in the Arts Council Collection.
Legs over High Tor was reproduced in the important Arts Council catalogue, Three Perspectives on Photography (1979), to accompany Paul Hill's essay Photographic Truth, Metaphor and Individual Expression.
Legs over High Tor was reproduced in the important Arts Council catalogue, Three Perspectives on Photography (1979), to accompany Paul Hill's essay Photographic Truth, Metaphor and Individual Expression.