Beachy Head, Seven Sisters Country Park, East Sussex, 2017, 2017
Simon Roberts is a British photographic artist based in Brighton, UK. Often employing expansive landscape photographs, his approach is one of creating wide-ranging surveys of our time, which communicate on important social, economic and political issues.
Roberts has been exhibited widely with We English touring to over thirty national and international venues. He's had solo shows at the National Media Museum, Bradford, Museum of Contemporary Photography, Chicago, and Multimedia Art Museum Moscow, and been included in numerous group exhibitions.
Recent shows include Observers: British Photography and the British Scene (From the 1920s to Now) at Galeria de Arte SESI, Brazil, and Landmark: The Fields of Photography at Somerset House, London. His photographs reside in major public and private collections, including the George Eastman House, the Art Collection Deutsche Borse and the V&A Collection.
In recognition for his work, Roberts has received several awards including the Vic Odden Award (2007) - offered for a notable achievement in the art of photography by a British photographer, along with bursaries from the National Media Museum (2007), John Kobal Foundation (2008) and grants from Arts Council England (2007, 2010, 2011, 2014). He was commissioned as the official Election Artist by the House of Commons Works of Art Committee to produce a record of the 2010 General Election on behalf of the UK Parliament. In 2012 he was granted access by the International Olympic Committee to photograph the London Olympics and most recently was made an Honorary Fellow of the Royal Photographic Society, UK (2013).
He has published several critically acclaimed monographs, Motherland (Chris Boot, 2007), We English (Chris Boot, 2009) - voted by Martin Parr as one of the best photography books of the past decade - Pierdom (Dewi Lewis Publishing, 2013) and Merrie Albion (Dewi Lewis Publishing, 2017).
One commentator has described his photographs as "subtle in their discovery and representation of forms of cultural character, which, upon closer inspection, reveal a richness of detail and meaning. They exhibit a disciplined compositional restraint, a richness of palette, and a wealth of narrative incident."
Recent shows include Observers: British Photography and the British Scene (From the 1920s to Now) at Galeria de Arte SESI, Brazil, and Landmark: The Fields of Photography at Somerset House, London. His photographs reside in major public and private collections, including the George Eastman House, the Art Collection Deutsche Borse and the V&A Collection.
In recognition for his work, Roberts has received several awards including the Vic Odden Award (2007) - offered for a notable achievement in the art of photography by a British photographer, along with bursaries from the National Media Museum (2007), John Kobal Foundation (2008) and grants from Arts Council England (2007, 2010, 2011, 2014). He was commissioned as the official Election Artist by the House of Commons Works of Art Committee to produce a record of the 2010 General Election on behalf of the UK Parliament. In 2012 he was granted access by the International Olympic Committee to photograph the London Olympics and most recently was made an Honorary Fellow of the Royal Photographic Society, UK (2013).
He has published several critically acclaimed monographs, Motherland (Chris Boot, 2007), We English (Chris Boot, 2009) - voted by Martin Parr as one of the best photography books of the past decade - Pierdom (Dewi Lewis Publishing, 2013) and Merrie Albion (Dewi Lewis Publishing, 2017).
One commentator has described his photographs as "subtle in their discovery and representation of forms of cultural character, which, upon closer inspection, reveal a richness of detail and meaning. They exhibit a disciplined compositional restraint, a richness of palette, and a wealth of narrative incident."