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Extract: Staying Power, Peter Fryer (1984)
The work was inspired by a 19th century Carte-de-visite of Lady Sarah Forbes Bonetta. Sarah was the West African adopted goddaughter of Queen Victoria who came to live in England at a young age. The images are based on my own personal experiences as a young black woman, dealing with the macro and micro traumas of racism encountered while travelling around European countries. The format was based around Rosy Martin and Jo Spence's 'Re-enactment Phototherapy'. Too Many Blackamoors aims to challenge the 'strong, independent, black female' narrative that can burden and often entrap black women. With Sarah as my template, the project attempts to illustrate the effects of such perceptual limitations whilst exploring my own internal conflicts of falling short from such mainstream ideals.
The project was commissioned by Autograph ABP for The Missing Chaptersupported by the Heritage Lottery Fund. Special thanks to Angela Dennis for her guidance during the project. -
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Heather Agyepong, Too Many Blackamoors (1), 2015View more details
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Heather Agyepong, Too Many Blackamoors (2), 2015View more details
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Heather Agyepong, Too Many Blackamoors (3), 2015View more details
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Heather Agyepong, Too Many Blackamoors (4), 2015View more details
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Heather Agyepong, Too Many Blackamoors (5), 2015View more details
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Heather Agyepong, Too Many Blackamoors (6), 2015View more details
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Heather Agyepong, Too Many Blackamoors (7), 2015View more details
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Heather Agyepong, Too Many Blackamoors (8), 2015View more details
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Heather Agyepong, Too Many Blackamoors (9), 2015View more details
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