Widely recognized as a pioneer of installation and multimedia art, Susan Hiller (1940-2019) was one of the most influential artists of her generation. Since first making innovative use of audio and video technology in the early ‘80s, her groundbreaking installations, multi-screen videos and audio works achieved international recognition.
Each of Susan Hiller's works is based on specific cultural artifacts from our society, which she uses as basic materials. Many of her works explore the liminality of certain phenomena including the practice of automatic writing (Sisters of Menon, 1972/79; Homage to Gertrude Stein, 2010), near death experiences (Channels, 2013), and collective experiences of unconscious, subconscious and paranormal activity (Dream Mapping, 1974; Belshazzar's Feast, 1983-4; Dream Screens, 1996; Psi Girls, 1999; Witness, 2000).
With a practice extending over 40 years, Susan Hiller is considered one of the most influential artists of her generation. Her work is found internationally in both private and public collections and her career has been recognized by mid-career survey exhibitions at London's Institute of Contemporary Arts (1986) and Tate Liverpool (1996), and, most recently by, a major retrospective exhibition at Tate Britain (2011).
With a practice extending over 40 years, Susan Hiller is considered one of the most influential artists of her generation. Her work is found internationally in both private and public collections and her career has been recognized by mid-career survey exhibitions at London's Institute of Contemporary Arts (1986) and Tate Liverpool (1996), and, most recently by, a major retrospective exhibition at Tate Britain (2011).