A Young Polynesian Considers Cultural Imperialism Before She Goes to the Disco, 1981
Alexis Hunter used photography in a distinctly powerful way, as a tool to take control of her own sexuality and buck the expected norms of society and gender stereotypes.
Through the use of series and narrative sequences she exposed the tyranny of fashion (Burning Shoe, 1977), domestic violence (Domestic Warfare, 1975), and the exploitation of women (The Model's Revenge, 1974).